Sunday, January 16, 2022

Sadko Hadžihasanović at Paul Petro

Bill and I braved the cold weather yesterday to see Sadko Hadžihasanović's suite of new paintings: "Close Shave" at Paul Petro on Queen West. We've been following Sadko's work for years and I was curious to see this new work which he had set in barber shops around the world. 

We arrived early and had the artist to ourselves. Here he is in one of his self-portraits. When I learned Sadko was working from photographs I sent him some of the photos that Bill and I have taken in barber shops over the years and Sadko used some of them. 

The paintings are oil paint on 10" by 10" wooden panels. This photo by the painter. The energetic paintings speak for themselves but I can tell you something about the subjects.

This painting is based on my photo of a friend getting his hair cut at Lloyd's Barbers in Toronto in 1998. The background lattice is the artist's invention.

Sadko also painted this portrait of Bill

getting a haircut from Mustapha in a barber shop in Istanbul in 2001. Great portraits of both figures!

This is Bill's photo of the artist and his model (me!) based on a picture Bill took in Palermo in 2002.

Love how the artist has rendered the flesh and the fabrics and the shaving cream. 

This gorgeous painting is set in the Terminal Barber Shop, Toronto, in 2003. I love his delicate painting of the red stripes on the barber cape.


Because we were alone, Sadko had time to tell us about the challenges of painting in a square format. The compressed, cropped, images carry quite a punch.
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p.s. I asked Sadko to help me pronounce his last name correctly: "Had-gee ha-SAN-oh-vitch". Show continues until February 19th.

Sunday, January 2, 2022

A Fourth Wave of Postcards

Entering our second pandemic winter we find ourselves very much ahead with global vaccinations on the rise, but still very much in it with the success of the Omicron variant. It's back to movies in this house. See you in the spring!

"Their vanity is greater than their misery." Burt Lancaster in Visconti's Il gattopardo (The Leopard), 1963.
"You think we're any better?" Anouk Aimée in Fellini's La Dolce Vita, 1960.
"It should be so easy to be happy, shouldn't it?" Julie Christie and Dirk Bogarde in John Schlesinger's Darling, 1965.
"Turns out lonely people are all the same." Tony Leung in Wong Kar-Wai's 春光乍洩 (Chun Gwong Cha Sit/Happy Together), 1997.
"What do you suppose my time's for?" Mae West in Lowell Sherman's She Done Him Wrong, 1933.
"What if we trusted each other?" Robert Downey Jr. and Rachel McAdams in Guy Ritchie's Sherlock Holmes, 2009
"But one mustn't always forgive." Max Cartier in Visconti's Rocco e i suoi fratelli (Rocco and His Brothers), 1960.
"Do you lie to him often?" Romain Duris and Anaïs Demoustier in François Ozon's Le nouvelle amie (The New Girlfriend), 2014
"I hate lying." Amanda Langlet and Melvil Poupaud in Éric Rohmer's Conte d'été (A Summer's Tale), 1996.
"It's human to lie."  Toshirô Mifune in Akira Kurosawa's 羅生門 (Rashomon), 1950
"There are no liars." Caroline Proust in Engrenages (Spiral), Season 1, episode 4, 2005.
"Nightmares are alibis." Françoise Prévost in Jacques Rivette's Paris nous appartient (Paris belongs to us), 1961
"It's horrible, isn't it." Olivia de Havilland and Leo Genn in Anatole Litvak's The Snake Pit, 1948.
"This will end badly, mark my words." Kristin Scott Thomas and Fabrice Luchini in François Ozon's Dans la maison (In the House), 2012.
"That's when Miss Wang began talking to herself." Faye Wong in Kar-Wai Wong's 2046, 2004.
"No one can say what I will do, once I am back in my element." Utpal Dutt (right) in Satyajit Ray's Agantuk (The Stranger), 1991.

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