The Accademia Museum on the Grand Canal in Venice is one of the best art museums in the world.
It has its own vaporetto stop.
Bill and I were delighted by Paolo Veneziano's Baptism of Christ (Santa Chiara Polyptych), 1340.
When I saw this Jacobello del Fiore I thought of Oscar Wilde: "I never travel without my diary. One should always have something sensational to read in the train."
I was surprised by the modernity of this smokey Madonna by Lorenzo Veneziano (from a 14th century Annunciation)
The museum has at least two dozen paintings of the Madonna and Child by Giovanni Bellini. This 1487 canvas is my current favourite.
There is something mysterious and alluring in Carpaccio's Dream of St Ursula, late 15th century.
Titain painted this Pieta in 1576 to hang over his tomb. It is his last painting.
Across the room Bill took this detail of the angel Gabriel from a 1587 Veronese Annunciation.
On the other half of the painting we find the Virgin.
The full canvas here.
Nearby is Veronese's Feast in the House of Levi, 1573.
The woman who was seated on the right has risen to look at the dog in the centre of the canvas.
The dog is looking at a cat under the dinner table.
The Accademia's rooms flow nicely from one to another.
Wonders abound -- walk through a door, turn around and find Titian's Presentation of the Virgin at the Temple, 1538.
Durer sketched this Venetian local in a visit to the city in 1508. It was included in a temporary exhibition called Corpi Moderni (Modern Bodies),















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