Wednesday, April 1, 2026

Island of Giudecca, 2025

The San Giorgio vaporetto stops three times on the island of Guidecca on its way back to the train station.
We disembarked at Palladio's Redentore church. It is geometrically profound but as cold as an iceburg.
But I am fond of this stature of St Anthony within.
For 500 years the church has had a secret garden. It has never been open to the public until now. It has been restored after being destroyed in the flood of 2019.
All the beds and plantings are kept shipshape.
We were pleased to discover a garden of artichokes.
We'd never seen an artichoke in bloom before. We were also pleased to see the diverse insect life.
All the plants are thriving. The beds must be well irrigated.
The garden stretches from the north to the south side of Giudecca. One can gaze south into the lagoon.
An altogether enchanting place.
Giudecca one of the less touristed islands. You will get a nice break from the crowds.
We were in Venice just before the famous wedding. We saw many variations on this poster.
We've always enjoyed our walks on Giudecca.
There are good restaurants all along the way, all with posted menus to tempt the passing tourists. We liked the food and the prices of La Palanca so we asked for a table.
Our waiter resembled an Old Testament prophet.
We ate with a view of Venice across the wide canal.
We enjoyed our lunch so much we went back for a second lunch at another restaurant. Do try to make time in your Venice visit for lunch on the Giudecca.

Sunday, March 29, 2026

Island of San Giorgio Maggiore, 2025

San Giorgio Maggiore lies just beyond the mouth of the Grand Canal. We reach it by vaporetto.
The island has a famous Palladio church, two art galleries and a monastery which now houses the Cini Foundation.
Bill and I have disembarked at the vaporetto stop on San Giorgio and are looking back at St Mark's Square.
Inside San Giorgio Maggiore: a Palladian Renaissance church that dwarfs the visitor.
Le Stanze della Fotografia (Photography Rooms) had a show of Mapplethorpe's most respectable pictures (no gay S&M). I had never seen this 1975 portrait of Patti Smith.
We walked to Le Stanze del Vetro (Glass Rooms) nearby. Bushes were in full spring blossom.
They had a wonderful collection of Art Deco Murano glass
originally exhibited at the Venice Biennials from 1932-1942.
The island is remarkably serene. A nice break from the chaos of St Mark's Square.
We made a second visit to the island for a tour of the Cini Foundation, located in an AD 982 monastery with a Palladio refectory and cloister.
What drew us to the Cini was a copy of Veronese's famous Wedding Feast at Cana (1563). Napoleon stole the original which is now in the Louvre.
The copy stands in its original position in the Palladio refectory. Imagine taking your meals under it day after day.
This detail features a self-portrait of Veronese in white, Tintoretto in blue and Titian in red.
The tour took us through three lovely cloisters. 
The second was designed by Palladio in 1615.
It displays an intimacy and warmth missing in his churches.
Book ahead for the tour. It sells out quickly.

Sunday, March 22, 2026

Thomas Schütte at the Dogana, Venice

Bill and I love to discover new artists. We were pleased to discover François Pinault's collection of works by Thomas Schütte at the Punta della Dogana in Venice.
A monumental statue of Mother Earth confronts visitors at the entrance to the gallery. Pretty stern lady.
Man in the Wind, 2018. Schütte had trouble getting his maquette to stand up. He covered the feet and then liked the "stuck in the mud" look of the result. Nice accident.
An Old Testament look to this figure.
One of four Fratelli (Brothers) from 2012. It does have a 19th century Italian look.
A strange, monumental head, with a rope around its neck. He doesn't look pleased.
His heads don't look like anyone else's work.
Pinault has also been collecting works on paper.
Again, they don't look like anyone else's work.
Schütte commissioned the master glass makers of Murano to produce a series of portrait heads.
One of three figures with the title Three Truly Great Minds. They look to me like they were made from hand-rolled "snakes" of plasticine.
One of Schütte's experiments with minimalism. Definitely a tad creepy, no?
A traditional looking figure but lacking a face.He reminded Bill of a pétanque player.
The face of the artist, from a gallery documentary.
A gorgeous monumental ceramic head: Großer Frauenkopf (Large Woman's Head), 2021. Again the portrait reminds us a bit of 19th century art.
We took a traghetto to St Mark's Square. It was scary to be on a small craft in the wide mouth of the lagoon. 
We looked back at the Punta della Dogana. What a stunning location for a private gallery!

Tuesday, March 17, 2026

Peggy Guggenheim Collection, 2025

A short distance east of the Accademia on the Grand Canal we find Peggy Guggenheim's famous private art collection.
On our walk to the collection Bill and I found this fun portrait of the collector. We have also found portraits of women with the Superman logo in Rome and Naples.
We enter through the conservation laboratory. Robert Delaunay's Windows Open, 1912, is being restored.
Cabinet of pigments in the Restoration Lab.
Among the sculptures in the garden, Max Ernst's Young Woman in the Form of a Flower, 1944, stood out.
Every time we visit I stand in front of Picasso's Man in a Striped Jersey, 1939. That palate of greys is so satisfying.
Wes Anderson said recently that the design of his Grand Budapest Hotel is directly inspired by this Joseph Cornell assemblage: Setting for a Fairy Tale, 1942.
Calder made this Silver Bedhead for Peggy in 1943.
He made these earrings for her in 1938.
Joan Mitchell painted this in 1962.
Kandinsky's Upward, 1929, with tourists.
The artist Julius Bissier was new to us. We liked his watercolours, 1959-1962, 
Here's a closer look at his watercolour 16 July 1960-G.
The Guggenheim fronts onto the Grand Canal. Here is the name on the side of the building.
Visitors arriving by boat are greeted by Marino Marini's Angel of the City. The metal penis is removable.
View of the Grand Canal from the Guggenheim.
We exit through the garden. Bill was fascinated by the sight of the nearby palaces and domes.